The work questions our era on the phenomenon of androcentrism, a mechanism of projection that tends to apply our power structures and gender hierarchies to ancient adornments in order to better legitimise those of the present.

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The work's rewilding takes place through a graphic bio-integration process that allows Nature to reclaim its surface, generating a network of lines that interweaves the material according to its own design, in order to question our mechanisms of systemic projection.